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The (Abbreviated) History of Abracadabaret

When I was relatively new in magic, enthusiastic and curious but not really performing for anyone. I wanted to attend a magic show. Top of the google search for magic in Toronto was a site called Magical.com and a show advertised there called Friday Night Magic. It seemed like a good place to start. The show is a kind of magic open-mic with multiple performers and a host.

I actually waited a while to go down and see it because I was in university and it was advertised as $20 ticket. So I was surprised when I showed up that no one asked me for a cent. That was where I first met my (now) friends James Biss, Dave Curran, Mark Lewis and Paul Pacific. In fact two things I saw that night inspired me to create something that I still perform today and had published in the first instalment of Seventeen Secrets. (I hope they don't take offence that it's a trick about crazy people.)

The show was not a new thing when I first showed up there (it was either 2006 or 2007). It had been going for a few years, run by James Biss and Dave Curran. Friday Night Magic itself was a spinoff of The Magic Arts Festival (2000 or 2001) which was an attempt to flood a section of Toronto's downtown core with magic shows just for the fun of it. While nobody remembers it today, I assume it was something that was fun to do, lots of work, but at best financially neutral. Before that, the show had its roots in another Toronto production called "A Little Night Magic" which ran for several years and ended in the early nineties.

I attended the show regularly and eventually something strange happened. Two of the three performers were not there; one was ill and the other was trapped in bad weather. The usual host, James Biss, had worked all day Friday and spent most of Thursday night at an event that ran extremely late. I remember exactly what he said to me. "You could watch me, in this state, for forty-five minutes, or you could give me a break and do ten minutes in the middle."

I was on the spot, but too young to appreciate how not ready I was. But enough people were suitably impressed and I finished my first public performance ever. It was an experience I was happy to repeat.

Over the next few years, I became a regular performer and worked with several of the other performers on different projects. By 2008, James Biss was ready to move on to other projects, including a TV pilot (that didn't go anywhere) and a book project (that did). I was left running the show.

When I took over, the show was having difficulty. We had been running a free weekly magic show more or less continuously (with summers off) for upwards of six years. And we had a somewhat regular audience which create a lot of pressure to produce "new" (meaning unseen) material. At that point, we were well past B and C level material. I remember more than once seeing things that people had just come up with that afternoon. We were also catering to the regulars a bit too much, and the in-jokes were starting to overpower the regular jokes.

We changed to a monthly (more or less) event and put some more effort into planning who would attend. We came up with the name Abracadabaret (largely with the help of David Ben, Julie Eng and a large paper table cover we scribbled on at lunch one day). We started a fresh website and got to work.

We tried a few venues, largely through the efforts and connections of David Grossfield, looking for the right mix of ambiance, visibility, convenience and seating capacity. The Charlotte Room had a beautiful ambiance and a great menu, but few seats and a rather awkwardly placed pool table. Zemra had an even better menu, but a very awkward layout. The Trane Studio was perfectly designed for performances, but was incredibly inconvenient for scheduling (we even showed up once to find a 5-piece Brazilian jazz ensemble setting up on stage, accidentally scheduled to go on at the same time as us.)

Then we took a break for a while. I got distracted planning theatre shows including ones for Asi Wind, Eugene Burger and my own. At the same time, Bobby Motta and Chris Westfall were both organizing events on a regular basis and the fact that there were quality alternatives available didn't do much to curb my laziness.

Last fall, I stumbled across our new venue at The Winchester, through a Fringe colleague, Victoria Murdoch, who was performing her one-woman show Dairy Free Love there. While she was performing, I sent her a text message saying "I am so stealing this venue." I was a bit disappointed when, after the show, the owner came out and announced that they were trying to grow their dinner theatre performances and if there was any performers or producers in the audience, they'd love to hear from us... so much for being devious.

I had a very successful - but short - three day run there in January and was invited back. So in addition to doing a few more Lies shows there Abracadabaret will be returning to its roots at the end of the month with a new variety show. I'm very excited to be back at it. It's nice to know that the same show where I had my first "serious" performance is still around and will continue to give the opportunity to more young performers. (Which reminds me, we love having new performers on the show if you would like to contribute something, let me know.)

If you have an opportunity, please subscribe to the Abracadabaret Mailing List or do the Facebook or Twitter thing for more regular updates.

I know I probably have the chronology of that slightly wrong. I'm tempted to go back through my files and post a collection of our past show posters. Then again, part of me is embarrassed by the very early stuff, which I believe was designed using Powerpoint, and doesn't want anyone to be reminded. If anyone is truly curious, I'm sure a little bit of Facebook creeping will turn them up.

With love and thanks to the performers of Friday Night Magic / Abracadabaret past & present including but not limited to:

Bill Abbott, James Biss, Keith Brown, Ryan Brown, Dave Curran, Matt DiSero, Gerry Frenette, David Grossfield, James Harrison, Jeff Hinchliffe Alex Kazam, Mark Lewis, Duncan MacKenzie, Bobby Motta, Mysterion, Paul Pacific, Jason Palter, David Peck, Anastasia Synn, Rob Testa, Dan Trommater, Chris Westfall

Join us for our next show, Sunday, June 30 at 7:00 PM. Click below for details.

Poster

Review of my KW Lecture

I just received a review of my lecture earlier this year at the Joan Caesar Hat & Wand Club in Kitchener. It appeared in the May 2013 issue of The Linking Ring, tucked in the back on p 141. I'll leave it to subscribers to read the whole review (including the interesting way they misspelled my name) but here are some highlights.

James' prediction of a spectator's [named] card along with a fifty dollar bet under impossible conditions, left our members in awe. It was almost an impossible prediction.

When James located all of the hearts in order in a shuffled deck while thoroughly blindfolded, we were totally dumbfounded and amazed - a great way to finish the evening. We would definitely have James back again to enjoy his reality-based magic.

-Darryl Hutton

Nominated for Magician of the Year

According to an announcement posted yesterday on the Canadian Association of Magicians Blog, I've been nominated for Canadian Magician of the Year. What does this mean? I have no idea. The process behind the award has changed this year, and the process is not quite transparent with no formal criteria. It appears to have been remade as a popularity contest where anyone can nominate anyone and it goes on record. So at the moment it appears to just be a very flattering joke someone has played on my behalf.

Edit 5/17/2013 The President of the Canadian Association of Magicians clarified that what were originally announced as "nominations" aren't proper nominations but rather "suggestions for nominations" . The actual "nominees" are really just the "finalists" who receive the most "suggestions for nominations". Furthermore, the two lovely people who did "nominate" me have since been identified and both have confessed to doing so with the most ironic of intentions. So it still makes about as much sense as the rest of Canadian politics.

Mosquitoes Suck

This is a shameless piece of promotion for some colleagues who deserve it. In particular, this is directed to anyone who works in the field of education, especially Ontario high schools. My friends, Matt Disero and David Peck, who between them are a magicians, comedians, philosophers and teachers (I'll leave you to sort out who's what) and have created a fantastic school program: The Mosquitoes Suck Tour. The program blends magic and comedy with an important message about the importance of social justice and the means to eradicate malaria.

If that weren't cool enough, they shows also contain contributions from Rick Mercer, Fefe Dobson and the boy band Neverest. There are also spinoff programs including curriculum materials about social justice and malaria for social/science teachers. There is also a fundraising program they run for both schools and mosquito nets involving fair trade coffee which is quite good.

The program originated a few years ago in the Halton/Peel region and built itself up slowly. Most of their performances have been in that region, but they are starting to expand their territory outwards into the rest of Ontario.

I know that because of labour disputes, this has been a particularly strange year for education in Ontario. But if you're in the field and could benefit from some exception programming, I can't recommend this program highly enough.

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