This Sunday, on Magic Tonight, I'm joined by the man who talks to ghosts himself, Nicholas Wallace. A Canadian magic champion, and producer of engaging and exhilarating Fringe shows, Nick is one of my favourite performers in the country. He spend most of his time hiding outside the city in an undisclosed location where he (presumably) works schooling his offspring in whatever dark arts he derives his supernatural abilities from. Come join us at the Crimson Lounge in Toronto for an incredible show. Readers of this blog can use the code reality for a discount on the price of tickets and dinner when buying online.
The Ghosts are Returning
I'm delighted (and slightly frightened) to learn that Nicholas Wallace's Seance is coming to Toronto this fall. Over the past several years, Nick has earned a reputation for producing outstanding shows. He is as clever as he is charming. I first saw Seance nearly two years ago at Theatre Aquarius in Hamilton and I left the theatre feeling thrilled and more than a bit disturbed. Nick Wallace may seem to be sweet and innocent but I suspect he is actually the devil, pure evil wrapped in Mister Rogers' sweater.
If you don't believe in ghosts and you're not afraid of the dark, Nick Wallace can help with that.
Seance is playing in Toronto for nearly two weeks at the Theatre Passe Murraille Mainspace in September and October. Tickets are now available from the theatre box office.
Theatre Passe-Murraille
Last week on Magic Tonight
I've recovered from Pride. Gotten all the glitter out from around my eyes. Our stage manager also reports that he purged his beard of glitter (thank you Elspeth McRobb)
Our special guest this week was the adorable Ben Train who, due to a slight wardrobe malfunction, performed his astonishing feets of mindreading without socks. It was a fun evening.
Magic Tonight continues through the summer at the Crimson Lounge in Toronto. Readers of this blog can get a discount on the price of tickets and dinner with the code reality when purchasing online.
A Test of Confirmation Bias
The New York Times posted a quick puzzle test which you can try here. If you enjoy this sort of thing, it's a fairly standard number puzzle you may have seen before. But the results are extremely counterintuitive. Go try the test and see how you do before reading any further...
I'll wait... Promise.
I've known the answer since university (Math professors throw these things out all the time) and it highlights that the way most of us go about trying to solve problems the wrong way.
Everyone usually starts out right trying to generate some possible solutions - guesses at what the right answer might be. But then when it comes to choosing the best one, things get messy. The common belief is that we search for evidence which confirms our theory. It doesn't work, since one piece of evidence can be consistent with many different possible solutions, the fact that the piece of evidence agrees with any one solution, doesn't help picking one solution over another. Counter-intuitively, piling on more evidence that agrees with your hypothesis doesn't help distinguish one solution over another; it doesn't move you forward.
The correct path is the opposite direction. You go out in search of evidence which would go against your hypothesis. And if you try hard to find it and come up empty, then you can be confident. When it comes to deciding, one piece of inconsistent evidence is more valuable then a thousand pieces of consistent evidence.
At the Fringe Part 1: Redefining Wonder
Last night I went to the Toronto Fringe and Chris Funk's Redefining Wonder. I felt some sympathy because I've had my own Thursday 10PM opening night at a theatre festival, but the show came recommended to me so I went to go see. Magic shows tend to be slightly out of place in theatre festivals. Maybe it's just a phase, but independent theatre seems to lean such that if you're not coping with abuse, death, coming out of the closet or thoughts of suicide, they don't really want to hear from you. That's not to say that some people don't take those serious issues and address them in upbeat and genuinely uplifting ways, but a huge swath of the theatre community is unable to distinguish between sombre and serious. I remember reading the Summerworks program when I was accepted and my own show (which had to do with lying to people non-stop) was the single most cheerful thing in there.
Magic shows also have a tendency to be more like rock concerts - a collection of individual songs. If you add one in, take one out or mess with the order no one would really notice the difference. As such, they tend to be theatrical without necessarily being theatre.
All that being said, Redefining Wonder, is a wonderful and fun magic show. The protagonist, is a charming and disarming caricature of a stage magician; chuckling at his own bad puns, striking a few too many Copperfield-like poses, and dripping with a bit too much ego for someone with the complexion of a sixteen year old. He calls himself the "wonderist" — a word he had to invent himself — so he appears at first blush to be a bit too pompous to be taken seriously. Then the magic will start to hit you. This is cutting edge stuff with a nice balance of sneaky gizmos, modern technology and good old fashioned cleverness.
What I appreciate most is that it's magic for magic's sake. I'm going to make your $50 appear inside this sealed back of Pepperidge Farm Goldfish because why not, not because of [insert awkward overextended metaphor here].
Although the show does nothing to "redefine" wonder (although one person sitting near me remarked audibly that she left feeling a mixture of astonishment and terror seeing what he could do) it's certainly worth the climb up the stairs to the third floor Robert Gill Theatre (inside the UofT Bookstore building).
There are six shows left between now and July 11. Buy tickets to Redefining Wonder at the Toronto Fringe.
Magic Tonight Gets Snap'd
Our show was refigured recently in SNAPd Magazine (or just SNAP, depending on exactly which edition you're reading). They're a free print and online publication which covers the GTA by region. Magic Tonight was featured this month in both the Mississauga North and the College editions.
Live magic and fine dining were combined for an unforgettable night out, hosted by sleight-of-hand performer James Alan.
The magicians , James Alan, and special guests Michael Close and Matt DiSero performed an astonishing show from magnificent mind readers, to hilarious comedy magicians to breathtaking illusionists (sic). Guests enjoyed this magical night with delicious gourmet dining.
You can see pictures from the shows on the SNAPd websites (links above) and if you live in the areas, find the print edition which should be appearing in their stands shortly.
See a shrinking Michael Close, a rubber chicken wrangling Matt DiSero, an overexposed Ron Guttman lots of smiling people.