Sleight of Hand Without Hands

Toronto-born Mahdi Gilbert is, as far as I know, unique in the world of magic. He was born without hands and feet but created his own system to perform the kind of magic which would, under ordinary circumstances, be called "sleight-of-hand". 

He recently appeared at the EG Conference and you can watch is performance followed by an interview with another celebrated magician, Eric Mead. As far as I know, Eric is the first interviewer who's dared to ask about the specifics of his physical condition. (Heck, I've known Mahdi for about eight years and I've never asked.)

The trick you can see performed is a modern classic known as "Oil and Water" 

Mahdi's work is, in part, inspired by another differently abled magician from Argentina, René Lavand. Lavand lost his right arm in an accident at an early age.

He also worked primarily with cards. Most of his performances revolved around storytelling and even the occasional poetry reading. He described his own work as "Lentidigitation" which was the opposite of "Prestidigitation", roughly translated as "Fast Finger Action". 

If you watch it below, you'll repeatedly hear him say "No Se Pueder Hacer Más Lento" which translates to "It can't be done any slower."

Why aren't there (again) more women in magic?

Sometimes ideas are just in the air and they keep bubbling up to the surface all a once. Following up on the spoken word piece I shared yesterday, Penn Jillette (of Penn & Teller) was recently interviewed in Vulture and part of their conversation was about women in magic and he shared the following:

Everybody that I know in magic got in before they were 10 and they have a huge affection for that scene of older men — it was always men — with cigars talking in the basement of a library about magic. I hated that. I didn’t get into magic in any real way until I was 19 and met TellerRaymond Joseph Teller met Jillette in 1974, and they began their trademark show in 1981. Teller normally does not speak in shows or in public, citing early magic shows at frat parties where bros paid closer attention when he was silent. . My whole life up that point was about dirty rock bands. And most of my friends in high school were girls. So the idea of a boys’ club that excluded them — which is what magic was — made me furious. Even now it fills me with rage that people ask if my son is into magic and don’t ask if my daughter is.

...
So the biggest trend I’m seeing in magic is what we saw in comedy 15 years ago, which is that the boys’ club is crumbling. Three years ago, it was maybe one girl every two years who would come up after a show and say she was interested in magic. Now it’s about three girls a week — 12-year-old girls with a deck of cards in their hands saying, “I’m going to be on
— Penn Jillette

You can read the full article at Vulture.

Why aren't there more women in magic

Toronto-based magician Rosemary Reid asks (and answers) why we don't see more women performing magic. Something to think about:

I've considered the paucity of women performing magic can be explained very straightforwardly by a lack of visible role models. Small effects can have large causes, especially if their impact multiplies through a population. In the days before video, if a female magician didn't live in your area, your chances of seeing a role model were very low. Now that the world of online video has exploded, we could very well see that trend reverse itself extremely quickly.

British mathematicians teach more magic

The UK-based recreational math channel Numberphile is still on a magic spree. Here they explain a card trick made popular by the Scientific American columnist (and pretty much hero to nerds everywhere) Martin Gardner. 

Again, it's one of those tricks that young aspiring magicians often show me, albeit with different phrases. It's nice for kids because it doesn't require any manual dexterity, but rather remembering a sequence and when to use it. It also provides some immediately feedback. (Either the cards match or they don't and you know right away.)

The Grumpy Old Men of Magic

I'm pleased to announce a special appearance coming up in September at the Social Capital Theatre in Toronto. I will be appearing with Matt DiSero and the legendary Glenn Ottaway

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He was the host of Canada's longest running magic dinner theatre, A Little Night Magic in Toronto. He's old, he's grumpy and he's been making Canadians laugh since before just about everyone you've ever met was born. He also knows magic, so watch out! (We guarantee almost every word out of his mouth is inappropriate so consider yourself warned.) 

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Matt has worked with comedy greats such as Drew Carey & Jerry Seinfeld, has appeared on Penn & Teller: Fool Us and at the world famous Magic Castle in Hollywood California.

Accompanied by his trusty companion Hartnell (his pet chicken) this bow-tied bedazzler is one of Canada's national comedy treasures.

Magic Tonight
 

Saturday, September 15, 2018 - 8:00 PM

Social Capital Theatre
154 Danforth Avenue
Toronto (Danforth & Broadview)

Tickets $20

For information contact:
Steve@soulcitysoial.com
416-915-6677

Presented by the Soul City Social Club and